Celtomachia apud Pydnam? Nude Warriors in the Frieze of the Pillar of L. Aemilius Paullus at Delphi
Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung = = Bullettino dell'Istituto Archeologico Germanico, Sezione Romana. Bd. 128. Regensburg[Regensburg]: Schnell & Steiner 2022 S. 154 - 182
Erscheinungsjahr: 2022
ISBN/ISSN: 978-3-7954-3794-7, 3-7954-3794-6, 978-3-7954-3794-7
Publikationstyp: Zeitschriftenaufsatz
Sprache: Englisch
Doi/URN: https://doi.org/10.34780/33mo-mdfj
Inhaltszusammenfassung
Among the Roman and Macedonian combatants peopling the battle frieze of the pillar of L. Aemilius Paullus at Delphi, three nude figures fighting on the losing side can be identified as Celts. As Celtic mercenaries played a negligible role in the battle at Pydna, this article holds that the Celtomachic motifs were included deliberately as an opportune pictorial code to represent and qualify the Aemilian victory to a Panhellenic audience. The three Celts specifically answered to the barbaricisi...Among the Roman and Macedonian combatants peopling the battle frieze of the pillar of L. Aemilius Paullus at Delphi, three nude figures fighting on the losing side can be identified as Celts. As Celtic mercenaries played a negligible role in the battle at Pydna, this article holds that the Celtomachic motifs were included deliberately as an opportune pictorial code to represent and qualify the Aemilian victory to a Panhellenic audience. The three Celts specifically answered to the barbaricising Roman and Attalid pre-war propaganda aimed at the denigration of popular king Perseus, while also countering wide-spread anti-Roman sentiment, in kind revolving around the topos of barbarism.» weiterlesen» einklappen
Klassifikation
DFG Fachgebiet:
Alte Kulturen
DDC Sachgruppe:
Alte Geschichte, Archäologie
