A comprehensive study on mid-level representation and ensemble learning for emotional analysis of video material
Multimedia Tools and Applications. Bd. 76. H. 9. Dordrecht: Springer 2017 S. 11809 - 11837
Erscheinungsjahr: 2017
ISBN/ISSN: 1573-7721
Publikationstyp: Zeitschriftenaufsatz
Sprache: Englisch
Doi/URN: 10.1007/s11042-016-3618-5
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Inhaltszusammenfassung
In today’s society where audio-visual content such as professionally edited and user-generated videos is ubiquitous, automatic analysis of this content is a decisive functionality. Within this context, there is an extensive ongoing research about understanding the semantics (i.e., facts) such as objects or events in videos. However, little research has been devoted to understanding the emotional content of the videos. In this paper, we address this issue and introduce a system that performs e...In today’s society where audio-visual content such as professionally edited and user-generated videos is ubiquitous, automatic analysis of this content is a decisive functionality. Within this context, there is an extensive ongoing research about understanding the semantics (i.e., facts) such as objects or events in videos. However, little research has been devoted to understanding the emotional content of the videos. In this paper, we address this issue and introduce a system that performs emotional content analysis of professionally edited and user-generated videos. We concentrate both on the representation and modeling aspects. Videos are represented using mid-level audio-visual features. More specifically, audio and static visual representations are automatically learned from raw data using convolutional neural networks (CNNs). In addition, dense trajectory based motion and SentiBank domain-specific features are incorporated. By means of ensemble learning and fusion mechanisms, videos are classified into one of predefined emotion categories. Results obtained on the VideoEmotion dataset and a subset of the DEAP dataset show that (1) higher level representations perform better than low-level features, (2) among audio features, mid-level learned representations perform better than mid-level handcrafted ones, (3) incorporating motion and domain-specific information leads to a notable performance gain, and (4) ensemble learning is superior to multi-class support vector machines (SVMs) for video affective content analysis. » weiterlesen» einklappen